chas leman delivers stunning indie-electronica political statement

the repetitive strain ep, by chas leman, is wonderfully wonky in all the right ways. stepping away from guitar-led comfort and leaning into loops, beats, and synthetic textures, this ep captures the grind, humour, and quiet resilience of everyday life.

based in the uk, chas teams up with producer a.charles to build a sound that blends lo-fi electronics, jazzy pop instincts, a touch of britpop and a wonderfully british lyrical eye. the result is a EP that’s our favourite so far this year…

washing machine week opens the ep with a pulsing, noughties-leaning electronic groove that instantly sets the tone. thick basslines and playful synth details move forward relentlessly, while chas’ voice adds a familiar melancholy. it’s funny, sad, and feels part-roadtrip banger, part indie classic. a great opener.

the good life feels like the emotional centre of the record. bright lazy indie pop on the surface, but lyrically sharp underneath, with a sense of unease about modern living. punchy loops give it lift, while the song quietly mourns the everyday pleasures that seem to keep slipping away. a great tune.

veering more into experimental territory, the real world, features layered vocals, electronic manipulation, and looping textures create something unsettled and ambitious. it feels introspective and outward-looking at the same time.

closing things out, this is life picks up the pace and opens out into a real indie electronica anthem for 2026. that big, direct chorus that lands with honesty and weight. it’s reflective without being defeatist, ending the ep on a note of acceptance and quiet strength.

as a whole, repetitive strain feels cohesive, brave, and human. it’s an ep about routine and resistance, wrapped in beats and melodies that keep things moving. thoughtful electronic indie for people trying to think about life’s big questions, but also just keep going.

thank u for making this chas leman 💛