a bond-esque howl for a world on the edge

‘Drill Baby Drill’ arrives a bit like a match struck in a locked room. The Ravens of Gallis Row’s new single erupts with cinematic swagger, a darkly shimmering anthem that treats modern political absurdity as both spectacle and warning. Feeling like a storm rolling into a coastline, it’s all tense and electric before the rain hits.

South west england’s folk rock alchemists – formerly known as judas goat & the bellwether – turn pressure into gold here, blending melancholic guitar lines, moody bass and lush harmonies into something sharp enough to cut through the noise. sara vian’s vocal rises charismatic and unflinching, holding space for the song’s uneasy paradox, a nod to the infamous devil’s tritone that inspired its creation. the drums bring an edge and urgency, driving the track forward with a pulse that hits hard. the performance feels alive with shadow and defiance, like folklore rewritten for a planet in crisis. there’s grit in the riffs, smoke in the rhythm and a cinematic pulse.

This fourth single pushes their sound into bolder territory, landing with the weight of a warning slipped to you. It lingers, humming with danger and clarity long after it ends.

follow the thread and step deeper into their world here : https://theravensofgallisrow.bandcamp.com/

thank u for making this the ravens of gallis row 🖤