most personal doesn’t just introduce a new band, it explodes this new act onto the scene. texas-born, la-raised duo most personal crash into the scene with their self-titled debut, an unapologetic burst of noise, colour, and chaos that they’ve fittingly dubbed gremlin-pop. it’s twitchy, instinct-driven, and gloriously unhinged – like pop music left too long in the sun.

made up of lainey gonzales and jesús acosta, most personal twist hyperpop energy with post-punk grit, co-produced by louie diller (of holych*ld fame, who once coined “brat-pop”). the result is infectious and rebellious, where sweetness meets distortion and euphoria hides a sharp edge. “if the end of desire is the end of suffering / i’ll always suffer,” they chant – a perfect snapshot of their sound: joy that hurts, honesty that bites.

beneath the funhouse chaos, most personal digs into something deeper – how vulnerability, jealousy, and ambition tangle in the music world. it’s self-aware, a mirror aimed at fame itself, asking whether artists crave recognition or meaning, or if the two have always been the same thing.

loud, smart, and a little unhinged, most personal is exactly that – messy, fearless, and utterly unforgettable.

thank u for making this most personal 🧡